Showing posts with label Gerard de Nerval. Show all posts
Showing posts with label Gerard de Nerval. Show all posts

Friday, November 15, 2013

Ramblings: The Importance of Writing a Journal



You could ask yourself the question of whether it really is that important to write a journal. Especially nowadays when you can keep an ongoing collection of words and images and videos of your everyday life via social media sources such as Facebook, Instagram, Vine and other. If writing a journal is just tantamount to keeping track of what happened to you on a weekly or daily basis, then I suppose it isn’t that necessary, or important, not with all the other mediums we now have at our fingertips. I’ve been thinking about this a lot recently, mainly after reading the new Bridget Jones installment (Mad About the Boy – and yes, Helen Fielding hasn’t lost any of her talent or wit… I laughed and cried loudly all the way through it); and then randomly watching a movie called Stuck In Love, where a writer father makes his two kids write in their journals on a regular basis, as a way to train them to record their experiences and to be passionate about writing, just as he is. Both very different forms of journal writing (daily updates on the mundane activities of life with the occasional spurt of change, seemingly boring in theory but actually incredibly heartwarming and endearing; a collection of experiences, thoughts, poems and drawings created from a happening, a word, an encounter or just a thought in a day), but both technically a way to collect the threads of a life in writing. 

And in the end a journal is private, not meant to be shared with anyone. Which makes it still very important in my mind and heart – there are so many things that I want to express, but that I don’t want to post on Facebook, or even on my blog for that matter. 

All of this got me thinking about my own journal writing. However inconsistent in quantity my own writing has been over the years, I have always kept some type of journal, since the age of 10 when I was given my first diary as a Christmas present. I still have every journal that I have kept over the years. Sometimes a book full of the day to day activities at school and the boys I was in love with, sometimes a tremendously deep and sad recount of feelings and pain, sometimes an image of happiness, surrounded by pictures and clippings from newspapers or others. Here and there a poem, written on the spur of the moment and recorded that day, to be rediscovered years later and added to a collection of poems that I am trying to put together. I started to reprimand myself the other day for not keeping a “proper” journal anymore, when I realised that that is not true – I actually have several. They are just not the “traditional” forms of journals that I kept all these years. One is more of a “picture” journal, where you can find photos, magazine clippings, words, photos, random song lyrics, thoughts, movie stubs, concert tickets, post cards… The other is a collection of essays and short stories that I have been adding to a folder amidst other folders on my laptop for the past couple of years, all stories involving places and people in my life, all essays reciting certain experiences that I felt the need to record, all with the idea of publishing together one day. Now I realize that I don’t think I could ever publish these essays as they are, not right now anyway, as they are so very personal and don’t just involve myself, but other people who are very much real and alive. Therefore this is just my way of continuing to create a journal.
I don’t know why I do. It’s not like I want anyone to read all of these journals. Not while I am still on this earth anyway! It’s not like they contain my best writing either (although I sometimes do feel surprised when I come across something I wrote at the age of 16 when I was so unsure of myself and of my writing, and wonder why I felt that way because I had a way with words then). Even when I am at my least inspired I have always been able to write in my journal and I also think that this was (and still is) my only way to really describe how I feel and say what I really want to say in words. An outlet for emotions that are often kept pent up inside. A musician will release these emotions in song; I do it in words on paper, and on screen, the only difference being that I don’t want them to be seen. But would it be that bad if they were seen? Music has always helped me in good times and bad times and very, very bad times, so maybe my words could help another soul? I know words have always helped me too, be they in fiction, non-fiction, newspaper articles that hit home, song lyrics, poems… Even other people’s journal entries.  That said, I have never read anyone else’s personal diary (I am a huge stickler for privacy and would be the last person to go through anyone’s phone, journal, email, personal items, even if I feared the worst). I have only read published journals. From the darkest thoughts flowing from Sylvia Plath’s mind through her pen; a young teenager’s recount of being persecuted by the Nazis through Anne Frank’s eyes; trying to understand Kurt Cobain’s pain through his journal excerpts; to the fictional diaries of Adrian Mole that kept me laughing all the way through adolescence into adulthood (and still today). These journals (as well as others that I haven’t mentioned) are works of fiction in their own right, tales of moments in time that we may also have lived, or may be able to learn from, or just provide us with a historical reference to a time gone by, coloured with personal experience and thoughts.

Some of my favourite writers, Gerard de Nerval and Sylvia Plath for example, wrote their stories based on completely personal experiences. I find that I do this a lot too – although not all of the time, some of my stories are completely made up in my head, ideas conjured up by part of a conversation heard on the subway, or the sight of someone who grabs my attention on the street. Other stories are completely autobiographical and you just have to change the characters’ names to know who I am writing about, or what time in my life I am referring to.  I’m sure I have many, many more stories I could pull from my journals, stories that will finally help me finish this novel I have been working on, on and off, for the past three years. Or maybe they are all best staying right where they are, ink on paper, for my child to read when he or she is old enough to read my deepest secrets (if there is ever an age for that!). All in all, maintaining a journal has always been something that I cherish, and I will probably continue to do so until I die, in whatever format I feel like. I do miss writing, fountain pen and lined paper, but I always find nowadays that I start writing and finish by typing on my laptop and end up with random notebooks full of half-written essays and stories, as well as notes for blog posts and lists of photo numbers that I want to add to collections on Flickr. 

I just want to make sure I record everything I can… Not for anyone else, but just for myself. So that I can go back to my journals years later and remind myself that I have or haven’t changed. And just for that I think that it is incredibly important to maintain a journal – for oneself. A photo album in words.

Tuesday, May 15, 2012

Short Story: Paris and the Garden Gnomes

A story I wrote based on a trip to Paris back in the 90's...



"En attendant mieux vaut se consacrer aux autres qu'à un nain de jardin" – Amélie Poulain

Neuilly, sometime in the late 90’s. 

Neuilly is in a posh part of Paris. I don’t think we can really call it a suburb, more like a posh area, stuck on to the rest of Paris. You take the ligne jaune, 1, Métro towards La Défense, and get out in a place that is obviously still a city but that also feels quiet and rich and old moneyish. Not the type of area that I was brought up in or lived, or even a place I really feel comfortable in. But it’s pretty, and M. had friends who lived there, and they let us stay during our first trip to Paris together. It’s not like we could ever have afforded to actually stay in a hotel or a hostel – the TGV ticket and some spending money were about all we could muster together. But it was worth it. Five days in the most beautiful, magical city in the world, roaming the streets of Paris, sitting by the Seine and contemplating life, drinking wine on the quai, watching all of the people walk by,  busy with their lives, while we had the time to sit and watch and wonder.
We learnt little tricks to save money: grab your coffee “au comptoir” to pay a “regular” price; get cappuccinos at McDo so you could take one along with you on your way. Eat a brie sandwich from the boulangerie and then go to Le Chat Noir in Pigalle to share a dessert and drink more coffee at a table. Cheap wine is easy to come by; we were never looking to savour it, just to get drunk and happy. That floating feeling of peace is something that only wine and youth can bring, sometimes I try to find it again and nearly always miss it in my rush to get there. Sipping wine straight from the bottle, waiting for that slow but steady rise of ivresse that starts in your stomach and ends in your head: warmth, serenity and bubbles of happiness and laughter. Red, white or rose, it really depended on my mood. Red was for those winter days, when I needed something warmer and stronger, white for the spring and summer, lighter and easier to drink, and rose for those days when I couldn’t stomach red or white. Probably after long week of drinking really cheap wine (as opposed to just cheap wine). The quality of cheap wine in France is what you would probably see as medium quality anywhere else… Very cheap wine is what you could equal to vinegar anywhere. Assume about 10 to 15 francs would get you a bottle of drinkable wine from an epicerie arabe. Wine and Gauloises Blondes (no way I could afford my favourites, Marlboro Lights, in my years of being a poor student), and the evening was all set to be a success.
On our last evening in Paris we decided not to sleep. We had to catch an early morning train and why would we waste our last hours in Paris sleeping when we could enjoy the magical air for a few more hours? We had dinner in a brasserie, drank some wine and walked around the Seine for a few hours before the last métro back to Neuilly. We had already planned our evening in advance and had bought some bottles of wine to drink through-out the night, with the plan of falling asleep on the TGV on the way home to ease the sadness of leaving Paris behind, for boring old Grenoble (Grenorrible). I find it difficult to drink in a contained space. I need to run, to sing, to jump, to create silly plans of action and play pranks on people. I need to jump in streams, pick city flowers and hug statues of great musicians of times gone by. I find it difficult to sit in one bar all night without running around in the streets, moving to other places and seeing different people. I like to feel free.
Neuilly was so quiet after midnight. As the lights went out one by one in the different apartments and houses around us, calm seemed to descend on the neighbourhood. Too calm. Meaning that the neighbourhood was in dire need of some decadence as Melusine and I would affectionately call our nights out. Decadence was whatever the night would bring, no one could determine it, but it would usually mean some kind of act that would make us laugh for days and days. Neuilly was too quiet for us, so all that could mean was that we were going to leave Paris with a bang.
Walking through the empty streets, singing Mylène Farmer songs, talking about boys and men and Romantic poets dead and gone from this earth (but not from our hearts), about how we want to move to Paris and live there, amongst the old buildings and the anonymity. One day, maybe one day. The grass may not be greener in Paris, but it sure is more appetizing…
“I can’t believe we didn’t find the exact place were Nerval killed himself. We had the map and the exact location!”. M. was peeved about this, as we wanted to see the area.
“I think we got it right”, I said, knowing that we had found the right alley, just that it had been closed off and added to a building over the course of the years. “In any case, we were right there, right where he took his life, right there were he gasped his final breath.”
M. contemplated this and nodded in agreement. We walked along, in silence, for a few minutes.
“J… Look at that garden!!”
“It’s full of garden gnomes! They are all looking at us! I think they need to go on a trip. Are you thinking what I am thinking?!”
“I think they need to go on a trip to see the Coureurs de Jupons in Grenorrible!”.
That was it; the idea had formed simultaneously in our minds, now it was just time for us to hatch out a plan. Three nains de jardin to be removed from a garden in peaceful Neuilly. Easy work, as long as we were discreet and quiet. M. tried the gate first but it was too noisy so she hopped over the fence and helped me over. Once in the garden we tiptoed over to the gnomes, picked one each, and a third one for good measure, tiptoed back to the fence, climbed back over, looked at each other and legged it down the street to the nearest corner, M. with a gnome under each arm, me holding it close to my chest while I ran. Breathless but hysterically laughing at this point we couldn’t believe that we had pulled it off. The ultimate prank, better than letters of disgust written on toilet paper and stuck to their front door. Better than locking ourselves in their bathroom during parties and taking baths for hours on end when people were waiting to pee. Better than switching their doormats with everyone else’s in the building. Better than playing knock a door run every night of the week. Even better than finding a shopping trolley in the street and carrying it up three flights of stairs and leaving it in front of their door. This was going to be the epic prank. A stunt no one else would have thought to play, except for two slightly crazy girls from Grenorrible.
The gnomes were wrapped in sweaters and placed on the overhead luggage racks in the TGV. Not even 7 o’clock in the morning, and it was time for us to say our last goodbye to Paris, coffee and croissants in our hands. It was impossible to cover the gnomes completely (they weren’t the smallest you could find; we are talking nice big smiling garden gnomes. The ones that stand out in your garden amidst the flowers and trees). Even wrapped up in sweaters their bright red hats were poking out of the top, and every time either of us looked up at the luggage racks we burst into laughter. Nothing remotely abnormal about two girls jumping on a train on a Monday morning amongst all of the business travelers in their suits, plonking three barely concealed garden gnomes above their heads and proceeding to sleep through the three hour journey back home.
Once at Gare Europole we walked to Boulevard Gambetta to make the first stop before going home, the final part of the prank. The building door was open as usual (although we would have had no qualms about ringing on all of the buzzers until someone opened it, our usual technique).
“Shhh! We need to be really quiet. They can’t catch us, because if they do it will all be ruined!” I was beginning to be a little paranoid and was worried the whole trick would be discovered before we could finish it.
“Ne t’inquiètes pas! It’s too early for any of them to be up, and if they are they are already in class. Let’s just try not to laugh while we get this done!”
For once M. seemed less worried than me, an unusual occurrence seeing as I was normally the more reckless of the two of us. Or maybe the one with the more reckless ideas, but more responsible in the way that I always knew exactly what I was doing and why. M. would follow along, sometimes with even more grandiose and evil ideas, but mainly not as aware of the consequences if we were caught. Of course I don’t mean real crime, but we were always up to no good, running around the streets drinking wine from the bottle, singing at the tops of our voices, crashing random parties we would find along the way, taking any alcohol we could find and running away. Sitting on statues and talking crap to random passers-by. Once we even made some poor guy kneel in front of the Berlioz statue and recite the Lord’s Prayer from beginning to end. Memories…
Once we got to the third floor we arranged the gnomes in a semi-circle in front of the door, so that they all looked towards the door. We didn’t even bother to leave a note, because who else would have thought of doing this? We then rang the bell and pounded on the door a few times and ran as fast as we could down the steps, racing out of the front door, grabbing our own luggage along the way, hoping that we would make it out of the building before anyone saw us. I think we did. Ultimate prank pulled off to perfection.
I only wish that I had been a little fly on the wall when one of the guys opened the door. Happy Monday from three Parisian garden gnomes! 

Slut angel selling acid punch
Dominatrix with a submissive glance
Botticelli with a tattooed bust – Fluffy, Crossdresser

Thursday, May 3, 2012

Book Review: Patti Smith - Just Kids

Just Kids by Patti Smith

I own this book in it's beautiful hardcover edition and recently acquired a paperback copy, courtesy of a friend. Said paperback copy was read within 24 hours (one should probably say devoured) and marked up with my own scrawling notes in French. I feel sorry for the person who is currently reading this copy, as they are probably getting distracted every other page, trying to decipher what my notes mean in comparison with Patti Smith's text. Maybe the next reader will add his/her own comments, and bit by bit, my copy of the book will be filled with the feelings the text evoked in others? Sounds like a pretty interesting idea actually...

I've always loved Patti Smith. I've seen her perform multiple times, love her writing, her music, her personality, just everything about her. A few years ago I went to a very small venue to see Karen Elson perform and nearly had a heart attack when I realised Patti Smith was standing right next to me. Like 5 centimetres away. I told her psychically (i.e. my brain sent out a message) that I adored her, because there was no way I was actually going to be able to say that out loud. Maybe she heard it, maybe she didn't. In any case, I love her. I think I was drawn to her at first because of her very healthy obsession with Rimbaud, which is very similar to my own very healthy obsession with Rimbaud. But I had no idea how similar a lot of my interests at the age of 19 were with hers, many years before that, when she was 20 and moved to NYC.


Just Kids is Patti Smith's tale of her story with Robert Mapplethorpe, how they met, how they grew close, their relationship, their life together, amidst the world of bohemian art and music in the late 60's and the 70's in New York City. The way she describes the New York she lived in is the same as the one I imagined growing up, a paradox: gritty but blooming, urban but bohemian, dangerous but safe at the same time, ugly but beautiful... One of those places where anyone and everyone, no matter what your background, interests, faiths or nationality is, can go and blend in and find other people just like them. I don't think that from this standpoint the city has really changed (although it is probably a lot safer than it was in the 70's and the 80's). Patti's New York resembles my own New York, a place that could have been my downfall, but ended up being my home.

Patti arrives in New York without an idea of what she is really doing there, practically lives on the streets, roaming around, and finds Robert, and both become inseparable, pushing each others boundaries within the world of art and within their own world, a world created amidst dreams and reality. Patti's writing has always been poetic in nature, even her songs are first and foremost poems that work insanely well with music. There is something so innocent and wonderful about her relationship with Robert, even when she describes the days when they are without money, Robert's obsessions with displaying his darker sides through his art, their break up and all of the other obstacles that pop up along their journey together. I think the most beautiful part of the whole story is the love that they have for each other, something that everyone in this world (I hope) can relate to. Everyone wants to have a Robert or a Patti in their lives, and if you have one, cherish him or her.


When I was 19 my best friend Maud and I decided to go on a trip to Paris. It was only three hours away from Grenoble on the TGV, but a huge deal for us because we were going to be able to walk along the quais of the Seine together and visit all of the sites that we had read about in our books. Our obsession with Gérard de Nerval was so huge that we did a lot of research into finding the exact spot where he had died, so that we could visit it ourselves (the exact street does not exist anymore if you are interested). When I got to the part in Just Kids where Patti makes her way to Paris and describes how she went on a search to find the spot where Gérard de Nerval used to drink I nearly burst into tears. Gérard de Nerval! My absolute favourite French poet and writer. When she describes how Robert introduced her to Tim Buckley and Tim Hardin I literally did start crying, as these were my own father's favourite singers, and he introduced them to my mum who introduced them to me. But it wasn't just these random occurrences that made me feel so close to Patti, it was just the way her mind worked at the time, how she would react to certain situations and how shy she would feel around people and at the same time how she wouldn't hesitate to speak her mind, whether it verbally or through some form of art.

I haven't read a book where I relate so much to one of the characters in a while, and this was all the more powerful because Patti is real, and really did live through all of this. I'm sure many other people relate to her just as much as I did and still do, but what I found the most interesting was that I felt like my 19 year old self again when reading the book: well-read, shy, obsessed with 19th century literature and music, sad but happy, full of poetry and ideas and living a different lifestyle to most of my peers (apart from the group of friends I had with similar aspirations). I'm so inspired again right now. Patti's tales of how she dressed and how her and Robert would search for the right outfit for the right occasion, are so spot on, tell of a time and a place but are also completely timeless. Robert also took some stunning pictures of Patti - I actually really want to get some prints of his portraits because they are really good.

I love the fact that Just Kids mostly tells of Patti and Robert's days before they became famous, and contains a fuzzy, fairy-tale type aura around it. It remains somewhat innocent and happy, despite some of the more difficult times depicted in the narration. I also wish I had the copy of the book I had annotated now, because I had made some comments that I am sure should be in this post write now. Probably something about paradoxical decadence, or another one of those phrases I used to bandy about when I was a teenager. So there you go... Paradoxical Decadence.

Read Just Kids. It's absolutely wonderful.

Patti Smith Website